During the mid-1950s BMC in particlular, looked to Italy to inject its models with a little style, apparently prompted by a remark made by the Duke of Edinburgh about the staidness of their model range.
While BMC's quest led them to Pininfarina's door, Triumph were forming an alliegance with , who would eventually influence the design of their entire range.
This page is devoted to the BMC/BLMC/BL models which were styled (or re-styled) by the Italian carrozzeria. Check the links at the base of the page for further information on the designs which didn't make it.
Austin A40 Farina
This was the first fruit of BMC's decade-long association with Pininfarina, a represented a significant departure from the conservative styling of in-house Austin stylist . |
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BMC "Farina" saloons
The follow-up to the A40 Farina adopted what was a becoming very much the Pininfarina house style during the mid-late 1950s. Indeed, the Pininfarina-designed emerged a couple of years later looking very similar, if a little cleaner; however, both these cars owe a lot to the of 1955 also designed by Pininfarina... |
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Morris 1100
The 1100 was the first of these cars which was as modern under the skin as its stylish Italian bodywork suggested, featuring front-wheel-drive and Hydrolastic suspension. Pininfarina successfully managed to prevent it from looking like a four-door Mini.
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Austin 1800
Perhaps not one of Pininfarina's better efforts, and the precise extent of the Italian design house's involvement in the car's final shape remains unclear. Sergio Pininfarina certainly worked on the front and rear ends (having had his previous rejected), and BMC did not miss the opportunity to use his name in their publicity material.
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MGB GT
Pininfarina's services were procured in order to turn the MGB roadster into the MGB GT fixed-head coupé. |
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Jaguar XJ Series 3 roofline
When the time came to refine the sublime design of the Jaguar XJ saloon for the 1980s, BL again turned to Pininfarina to provide a revised roofline treatment. As can be seen from the accompanying photograph, the results were so good that it soon became hard to remember that this aspect of the car had ever looked any different. |
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MG F / TF hood
Designing the hood mechanism for a modern roadster is a major engineering exercise in itself, so Rover elected to sub-contract this element of the MG F's development programme to a third-party specialist, and once again, it was Pininfarina that got the job. |
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Triumph Stag
produced this handsome two door cabriolet to act as a showcase for his talents. Harry Webster supplied the donor car, then liked the end result so much, he asked Michelotti to productionise the design for him. When the car emerged in 1970, sporting its own unique V8, it simply had no opposition. |
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Triumph 2000/2.5 PI MkII
Having designed the original Triumph 2000 in 1961, Michelotti produced this Stag-like reworking for 1969's MkII model, launched in the BLMC era. The rear-end was also redesigned, making the car slightly longer than its predecessor. |
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Triumph 1500/Toledo/Dolomite
Produced from 1970 to 1973, the 1500 was an uprated version of the front-wheel drive 1300. However, the similar-looking Toledo (pictured) and Dolomite were rear-wheel drive. In 1976 they all became Dolomites. More... |
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Austin Apache/Authi Victoria
In 1970 Micheotti was commissioned to rework the Austin 1300 (ADO16) into a three-box saloon to be built and sold in Spain and South Africa. Spain got the Authi Victoria, while South Africa had the slightly less-attractive Austin Apache (pictured). |
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Leyland P76
The P76 was the developed by Leyland Australia as a last-ditch attempt to compete with the locally-produced large sedans from Ford and Holden.
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